Reimagining the Wilis: Emily Bergum’s Haunting Costume Designs for Giselle

For centuries, the Wilis of Giselle have been depicted as ethereal spirits—tragic yet delicate figures in flowing white. But in Canyon Concert Ballet’s upcoming production, costume designer Emily Bergum is taking a bold and chilling approach, reimagining the Wilis as spectral figures shrouded in heartbreak and ghostly darkness.

Bergum’s inspiration comes from her deep love of ghost stories and eerie folklore. Rather than adhering to the traditional vision of the Wilis as light and otherworldly, she seeks to emphasize the tragedy of their existence in the spirit realm. “I wanted them to favor the dark, ghostly side rather than the light ethereal side,” she explains. “I think this more accurately portrays their heartbreak.”

To bring this vision to life, Bergum has designed costumes that abandon the familiar stark white in favor of a striking gray ombre. This subtle yet powerful shift in color reflects the Wilis’ unrest, their lingering sorrow, and their supernatural torment. The gradual fading from darkness to light suggests a liminal existence—neither fully present nor fully gone, trapped in their vengeful dance.

This reinterpretation aligns beautifully with the tone of the production, which leans into the eerie and supernatural elements of Giselle. By emphasizing the Wilis’ ghostly torment rather than their celestial purity, Bergum’s designs enhance the emotional weight of the ballet, making their tragic fate even more palpable for the audience.

As we bring Giselle to the stage, these costumes will play a crucial role in deepening the story’s impact. They serve as a visual reminder that the Wilis are not just spirits—they are souls lost to grief, suspended between love and vengeance. In Bergum’s hands, their presence will be more haunting than ever.

Audiences can witness these breathtaking designs when Giselle premieres this season. Stay tuned for more behind-the-scenes insights as we continue to bring this timeless tale to life.